CW: Mention of rape.
The theme: a favorite trope.
Why this one: It was the only TBR book I picked up that I felt like reading, though the main tropes — rake in pursuit and spying — are far from favorites of mine.
I think this book, originally titled Starlit Surrender, was Ivory’s first, and it shows. It’s occasionally far from subtle in the storytelling, as you can see in this offhand phrase:
“All three — Thomas, Sam, and Charles — were in league with Adrien to rescue French aristocrats destined for the guillotine.”
This blunt “telling” of a deep secret had already been “shown” perfectly clearly, and I can only assume Ivory had a really crap editor (who perhaps made her insert it.) The same editor obviously didn’t give a hang about historical accuracy, since the hero, Adrien, is breeding roses in the footsteps of Mendel around thirty years before Mendel was born.
The worst part of the story though, is that Adrien rapes Christina in a particularly chilling way — not violently or to punish her as is common in old skool romance, but over a long period of time, while she is essentially his prisoner. It’s too reminiscent of a realistic situation to be glossed over as “forced seduction” though Christina is depicted as ambivalent. (There’s an attempted rape later, not by the hero, which she fights off quite effectively.) The fact that this is all seen through Adrien’s entitled eyes and he barely realizes what he’s doing to her makes it particularly upsetting.
Nonetheless, this is Judith Ivory, which means much of the writing is elegant and gorgeous, especially in the sex scenes that aren’t horrible. She writes so evocatively about attraction and intimacy; early scenes which play with consent are wonderfully done, which makes it even sadder that it got so ugly later on.
There’s also what seems to be deliberate trope subversion. Adrien is highly intelligent, a brilliant strategist and playing a very dangerous game of intrigue, but he’s not the omnipotent historical hero we often see. He’s often taken by surprise, vulnerable, even prone to highly unromantic physical ailments. I adore the classic cool hero, but I enjoyed seeing a more human version. Attempts to give Christina greater depth than the usual feisty redhaired heroine aren’t completely successful, but I appreciated the effort. You can see the seeds here of the amazing writer Ivory would become.