The theme: A contemporary romance. I no longer have any in my print TBR that aren’t categories, so went for the HP pile.
Why this one: It was on top of the pile, and revenge in the blurb instantly caught my eye.
This turned out to be the second half of a duology, and I’d recommend reading them in order. In A Shameful Consequence we learned that Nico and Zander’s mother was thrown out by her brutal husband and forced to take only one of their baby twins. (He kept the eldest, Zander.) Forced into prostitution, she agrees to give up Nico to a wealthy, childless Greek couple. As this opens, Nico has finally learned about his past and located his missing twin. But Zander, who grew up in poverty, believing his mother had deserted him and chosen his brother over him, is intent on revenge against the brother who he thinks had everything. He wants to take everything away from Nico — starting with his lovely PA Charlotte.
I was afraid it would be hard to find much to say about this type of modern Harlequin Presents, which tends to be heavily formulaic and samey. But I was surprised, not as much by the plot as by the prose. I don’t remember if it’s her usual style, but in this and the first book Marinelli writes in a much more evocative way than you’d normally find in a line known mostly for its efficient angst-building in a limited space.
“He took her away with his kiss and then he brought her back with its absence. He handed her her bag, which told her he had come out to fetch her; he draped her in her wrap and covered the swell of nipples beneath her dress, looked into her blue eyes and told her, looked right into them and told her, ‘You’ll never regret this.’
And he lied.”
It’s a bit more Ulysses than I expect to find in a Presents, but quite effective. The first book in particular has a lovely dreamlike quality, which is unfortunately offset by clunky sentence structure and a first draft feeling. Perhaps an editor took a firmer hand with the second, because the poetic feeling is less often interrupted by trying to figure out what on earth a line is saying.
Charlotte gets some family drama too, as caregiver for a mother with Alzheimer’s who made her promise not to put her in a home. Even in the short space, her tangled feelings of guilt, concern and resentment are depicted with some nuance.
Add to that some hot betrayal and a thematically satisfying conclusion to the overall plot, and you have an enjoyable read.