I have such mixed feelings about this, I feel like I should write a pro/con list instead of a review. Many of the aspects I disliked eventually grew into something better, and overall I read the book with interest and enjoyment — yet it’s hard to feel completely positive about a book when I spent so much of it wincing.
The book is narrated — first person present tense, sorry! It was mostly unobtrusive though — by Holland Bakker, a young woman who’s very halfheartedly trying to make in in New York. Her efforts are supported by her loving uncle Jeff and his husband Robert, who emotionally adopted her when she was born the last child in a large family. Working in a grunt job at Robert’s Broadway theater, with them paying most of her rent, Holland feels aimless and useless.
Holland was my first hurdle. She’s often such a typical contemporary romance/women’s fiction stereotype:
“While I’m not completely unfortunate-looking, I know everyone is half wondering how I ended up with someone like him. I’m that girl with the freckles, the one with snagged tights who spills her coffee awkwardly on her boobs, the one who knocks into everyone with my camera.”
I’m so not the reader for that girl’s adventures. But — first but — Holland has an interesting arc. Part of the story is about her finding herself and her passions… her passions other than Calvin. And her very stereotypical friendship with Lulu, the brash and bold girl who’s always pushing her to take risks, also goes in an unexpected, emotionally resonant direction
Calvin is an Irish musician that Holland semi-stalks when he busks in the subway. Although there is much panting by Holland over how gorgeously Irish he is, she is largely attracted by how intensely and lovingly he plays his guitar. And when an important musician storms out of her uncle Robert’s production, she has the brilliant idea of bringing Calvin into the show. There’s just one enormous problem: Calvin’s student visa expired and he’s in the country illegally. But Holland might be able to help with that too…
Okay, this was another big grimace, though perhaps an unfair one to criticize the book upon. It just made me so uncomfortable that the book focused on the needs of a white immigrant who’s in the country for music, in a time when there are so many immigrants in the US facing racism and deportation back to horrific circumstances. It felt intensely tone deaf.
That aside, Calvin is an extremely appealing hero — funny, and affectionate, and passionate about his art, always a huge draw for me. There are some niggles with him too, though I suppose they keep him from being ridiculously perfect. I did really enjoy the growth of their relationship… buuuut…. they have sex for the first time, a huge deal, when they’re too drunk to even remember it. What the what? This is not what I read romance for!
(Incidentally, in keeping with Lauren’s last several books, this one is quite steamy, but with less volume of sex scenes. I have no complaints whatsoever about this.)
The romance continues on in a very episodic way, which is really not my cuppa. Holland’s insecurity stretches out long past the point where it’s even narratively useful or sensible. A lot of the conflict felt manufactured.
Overall, I felt like the book wanted to be a rom com with both awkward hilarious moments and emotionally deep moments, and the combo didn’t perfectly gell for me. A lot of my complaints are specifically personal and might not bother any other reader at all. So I would recommend it to readers who enjoy contemporary romance; I think most everyone will adore Calvin.
TBR Challenge: When the Laird Returns by Karen Ranney
by willafulCN for book: Domestic violence.
The theme: a favorite trope. (Forced marriage.)
Why this one: I’m double-dipping with the Buzzwords Readathon.
(It’s perturbing, by the way, how many books are in my TBR that don’t have favorite tropes. Time for another sorting.)
I just spent a baffled couple of minutes trying to find my TBR Challenge review for One Man’s Love, finally remembering that I had been too rushed (and honestly, not interested enough) to actually review it. That, the first in the “Highland Lords” series, had a most favorite troupe, the lover in disguise, but it was just an average read. This one had its flaws, but interest in the characters keep me reading.
Ship designer and captain Alisdair MacRae is on his way to England to reject a title. (Hmm.) He stops in Scotland to visit the ruins of his family’s keep, only to discover that the McRae’s former enemy, Magnus Drummond, is ruining his land with sheep. Intent on regaining it, Alisdair finds himself forced to marry to Drummond’s daughter Iseabal. Since it’s not a marriage in English law, however, he expect it will be easy enough to annul it once they get to England.
Having grown up with a tyrannical and abusive father, Iseabal prays for the strength to endure marriage. But her new husband is so kind and considerate with her, she starts to think marriage is to her taste after all. And then she learns Alisdair’s plan
The plot hops around hither and yon after this, almost stopping dead at one point for multiple sex scenes. (They are tender and engaging, but space them out a bit!) It was all too episodic for my taste, and I think parts of the plot are over simplified, to say the least. (See this post on inheritance law by K.J. Charles.) But Iseabal’s arc remained intriguing. Her personality has been so stifled from living in constant fear and stoic endurance, she retreats to silent passivity whenever she feels threatened. Alisdair doesn’t have much of an journey, but is a generally charming and likeable hero who does his honorable best, and gives Iseabal a reason to find her inner bravery.
book commentary Challenge